As an American single mother in London whose four-year-old daughter has disappeared from her nursery school, Lynley held her own among an excellent British cast that included Laurence Olivier, Noël Coward and Anna Massey. Perhaps Lynley’s most prestigious film was the mystery thriller Bunny Lake Is Missing (1965), one of Otto Preminger’s better late films. She was well cast as the “blonde bombshell” star Jean Harlow in Harlow (1965), a cheaply made biopic, which got the better of the glossier Paramount production starring Carroll Baker released at the same time with the same title and subject. Lynley managed to show acting range despite rather limited parts, such as a rival to Joanne Woodward in the title role of The Stripper the reluctant target of a lecherous landlord ( Jack Lemmon) in Under the Yum Yum Tree and a psychiatric patient in Shock Treatment, all in 1963. She held her own against actors such as Laurence Olivier and Anna Massey. The rather lame sequel to Peyton Place did not do much to boost her career.Ĭarol Lynley in Bunny Lake Is Missing, 1965. The studio began to give her more mature roles, such as the female lead in Return to Peyton Place (1961), as the author of the scandalous novel who is in love with her married publisher (Jeff Chandler). She had also begun making guest star appearances in television series, starting with Alfred Hitchcock Presents, in an episode directed by Robert Altman, The Young One (1957), in which she played a rebellious girl who will do anything to escape being raised by her domineering aunt. Lynley made the cover of magazines such as Cosmopolitan, Life and Seventeen as well as doing TV commercials for hair dye and toothpaste. It was then that 20th Century Fox offered her a contract, casting her in ingenue parts in three pictures in 1959, opposite three of their promising young male stars: Brandon deWilde in Blue Denim, Gary Crosby in Holiday for Lovers and Fabian in Hound-Dog Man. ![]() Lynley’s film career began in Walt Disney’s The Light in the Forest (1958), wearing period costume as a servant in 18th-century Pennsylvania. Her poignant portrayal of a 15-year-old girl who finds herself pregnant and seeking an abortion broke new ground. This led her into acting, and she appeared on Broadway in Graham Greene’s family drama The Potting Shed (1957) and Blue Denim (1958).Ĭarol Lynley with Brandon deWilde in Blue Denim, 1959. ![]() After her parents divorced, when she was a toddler, her mother worked as a waitress until Carol was in demand as a child model, becoming the family’s primary breadwinner. I went through 10 or 15 pairs of shorts because they kept shrinking.”īorn Carole Ann Jones in New York, she was the daughter of Frances (nee Felch) and Cyril Jones. I’d be up there on the catwalk and if I slipped, it was six storeys straight down through flames to a concrete floor. And there were no safety precautions for the first two weeks of shooting. They hosed us down at least 20 times a day. “We had to swim underwater, climb across tiny catwalks, walk over flames. “It was the most physically demanding role you can possibly imagine,” she recalled. Photograph: 20th Century Fox/Kobal/Rex/Shutterstockĭressed in an orange top and hot pants, Lynley spends much of the movie clinging to the wreck, which was mostly shot on a sound stage inside a huge tank. ‘It was the most physically demanding role you can possibly imagine,’ she recalled. “And he must be able to cuddle me amazingly,” Brandon finished with.Carol Lynley on the set of The Poseidon Adventure, 1972. Brandon is attracted to all kinds of guys, but a good workout ethic, intelligence, and a nice cock are all major pluses. “I love chemistry and I love pleasing a man,” he said. For him it’s about the entire experience of being with a guy from start to finish. And there are so many sexual activities Brandon enjoys when he’s messing around with another guy that he can’t pick just one. This created a strong hunger for sucking cock and fucking ass, which led him to pursue a career in gay porn. ![]() Brandon grew up in a small town where access to other gay guys was limited. But don’t be fooled: behind his fresh boy-next-door face is an international DJ in love with gay nightlife and an adult film star that proudly shows off his hot body all over his social media networks. Brandon Wilde has the gay porn market for adorable all-Americans guys locked down.
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